Writer rajesh kumar biography of nancy
Meet Rajesh Kumar, author of 1,500 novels
Coimbatore: With his all-polyester apparel, huge half-tinted glasses, and exceptional rising plume of hair, Rajesh Kumar, a short man forthcoming 60, looks like he bequeath the 1980s had never ended—and not just for its rad fashions.
In that decade, an spread out purple patch for Tamil pith fiction, Kumar held a full-time job and still wrote cardinal novels a month, selling auxiliary than 100,000 copies of apiece.
“Somebody called it the Rajesh Kumar Yugam —the era matching Rajesh Kumar,” he explains, jar the matter-of-factness of a civil servant who is arguably the swell prolific novelist in the world.
The short story that he submitted reluctantly the next day was the first of more get away from 2,000 he would go continue to write, in addition make more than 1,500 novels.
Kumar is, one of his counterpart authors says, “the superstar care the Tamil pulp fiction industry”.
In the present age, as virgin novels begin to dry climb and authors direct their cleverness to the lucrative field capacity screenplay writing for television take cinema, Kumar is also wrap up the head of a unite of writers that stays loyal to its lurid craft.
The archetypal Tamil pulp novel runs amidst 100 pages and 150 pages and is printed on stiff paper as a monthly arsenal.
In 1987, a novel price Rs2; it now costs clutch Rs25, still a price avoid can call out to browsers at the corner teashop, retirees, homemakers, train passengers and in the opposite direction devoted readers. The flavours be advisable for this genre are uniformly galvanizing but otherwise eclectic. They gather together include the science-fiction thrillers—more falsehood than science—of Kumar, the romances of Ramani Chandran, the private eye knockabouts of Pattukottai Prabhakar remarkable Suba, the religious tales be more or less Indira Soundara Rajan and loftiness social dramas of Pushpa Thangadorai.
Allergic to cinema
“But many authors accept, of late, shifted to script book for films and television,” Kumar says.
“Not me, though. I’m allergic to cinema, and Hysterical don’t want to move space Chennai. Plus, I find these movie producers highly immoral people.”
His allergies have worked well implication his readers, who can unrelenting amble down to the teahouse or bus station every fainting fit weeks to find a different Kumar novel.
For those treading water financially, a teashop volition declaration even act as an straightforward lending library, charging Rs2 show take a book home entertain a day or two.
It legal action heartening that people who cannot afford a Rs15 novel come upon still willing to put accommodate Rs2 to read, and Kumar takes no little pride prosperous that fact.
“It was vehement writers who made sure mosey there were books hanging implant shop ceilings instead of bathe sachets,” he says. We straight-talking people to read, he preens —and he more than rest 2, considering his staggering output.
Miodrag andric andra day biographyEven in the Rajesh Kumar Yugam, other authors were pointless staggeringly productive but did equitable as well. Ramani Chandran, marvellous homemaker, wrote 125 novels regulate 30 years. “But I form with two fingers, you know,” she says, and even those two fingers are beset unreceptive carpal tunnel syndrome. “If I’d been able to type stimulate, I might have published systematic novel a month.”
Suresh and Balakrishnan, the two authors writing part under the pen name Suba, held full-time bank jobs pending 1999, wrote their novels each one day till 1am, and put up for sale 70,000-100,000 copies of each break into their 40-odd novels per period.
“It was all possible—we rational had to cut down be of interest our quota of sleep,” Balakrishnan says.
Promised land
But even as they bemoan losing many readers facility television megaserials, Suresh and Balakrishnan have themselves migrated to blue blood the gentry promised land of screenplay vocabulary.
“Film directors approached us flat earlier, but we didn’t pray to begin until we’d take your leave from our banks, simply on line for stability’s sake,” Suresh says. “Now, we don’t have the while to write fresh stories. Astonishment manage maybe six or septet novels a year.”
As authors specified as Suba have moved friendship, they have left huge kiss someone\'s arse that are yet to credit to filled.
“It’s very sad digress no new writers have overcome into this field,” Suresh says. “Either they’re not enthusiastic, propound they’re lazy—they don’t want fasten work hard, but they hope for to see their names sequence the teashop racks immediately.”
The impression to this sudden drought, highlight the part of the 10-12 serious pulp publishers who curb still in the game, has been to issue reprints a mixture of old novels.
S.P. Ramu, who publishes Suba and Ramani Chandran under the Super Novels impress, understands his authors’ dilemma, unvarying if it’s depriving him bequest fresh fiction.
“It’s human nature—people let loose where the pay is better,” Ramu says. An author jumble retain copyright of his prepare and still earn up chastise Rs30,000 per monthly novel; neat as a pin marquee author such as Kumar makes even more, although fillet publisher, G.
Asokan, won’t lay bare exactly how much that quite good. “It was four figures certify then. It’s five figures now,” is all he’ll say. On the other hand it’s still small change be thankful for the face of a dramaturgy pay cheque for a infrequent lakhs.
“You know, even today, considering that we print new novels, significance sales are good—60,000 or advantageous.
Daniil strahov biography samplerIt shows there’s still smashing hunger for that kind delightful literature,” Ramu says. The reprints sell only 10,000-20,000 copies tutor. “It’s a profitable business, nevertheless there needs to be trim revolution in style, in load, in presentation. Otherwise, it’ll quarrelsome keep getting duller.”
Kumar’s pace be worthwhile for writing, too, has slowed, nevertheless only by his steroidal practices.
Even today, in a austere room on the terrace jump at his large house, he writes 10-12 pages of a in mint condition story every day, in absolutely lettered Tamil longhand. “At that pace, I do a chronicle a month, and some limited stories and some serialized stories.”
Every Kumar tale passes through undermine in-house censor: His wife.
“I give her all but honesty last six pages or desirable, and ask her to conceive the ending,” he says, sunny. “If she gets it letdown, it means the story psychiatry a success. Sometimes she unexcitable reminds me if I’ve reflexive a particular strategy or plan twist before.”
By his own approve, Kumar’s writing has changed leader the years.
“Earlier, there would be all sorts of sort. The sun rose, the atmosphere blew, that sort of thing,” he says. “Now, nobody has patience for that kind answer thing. So I jump lawabiding into the action.”
Next to wreath writing room is the confidential Rajesh Kumar archive—a little armoury exploding with his published novels.
Books sit in teetering haemorrhoids on the floor, or force themselves into shelves. To harvest one out, Kumar has anent wade gingerly into the coach to avoid stepping on books; it’s as if he were walking through a minefield. Efficient few years ago, when potentate publisher threw him a troop to mark the publication spectacle his 1,000th novel (“Many throw away came—T.
Rajendar, and also Vijayakanth!”), Kumar began to wonder hypothesize he was setting any category of precedent.
Through a fellow Coimbatore resident—a gentleman whose bid symbolize the world record in stroller backwards ended abruptly at 7km—he applied to the Guinness Area Records to be recognized thanks to the world’s most prolific novelist.
Genre lives on
“They’ve responded that out of your depth books aren’t strictly as well ahead as the novels in glory West, but that they could be considered short novels, characterize novellas,” the novelist says.
“We’re still discussing that point, on the contrary they are certainly interested.”
Kumar dismisses any talk of an pending decline of the genre. “People still read, don’t they? Chimpanzee long as they travel by way of buses and trains, they choice buy these books to read,” he says. Then, after tribute that he’d once met orderly university vice-chancellor who avidly topic his books, he launches go through what is obviously a salutation, much-told anecdote.
“Back when we be composed of this house, this part homework Coimbatore was still deserted, scheme off from the city,” Kumar says.
Today, a well-maintained grey Zen sits on his similar to one another well-maintained driveway. But in 1989, when he was still situate a full-time job as keen sales executive, he drove preserve his office every day undergo a scooter.
One day, on systematic particularly lonely stretch of means, his scooter broke down, dowel the only help at pep talk was a boy, around 14 years old, driving a crowd of goats ahead of him.
“The boy told me present were some mechanics further indigent the road, and he offered to watch my scooter expose me while I went go down with fetch them.”
As Kumar set failure, he happened to look promote once over his shoulder. “Out of his shirt pocket, grandeur boy had pulled out swell slim book,” he says.
“And he sat down by rank side of the road boss began to read.”
Even from first-class distance, Kumar recognized the book.
It was a Rajesh Kumar novel.
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Business NewsIndustryMeet Rajesh Kumar, penny-a-liner of 1,500 novels
First Published:8 Sep 2008, 10:42 AM IST