Sandra bush biography
Mickalene Thomas
American painter
Mickalene Thomas | |
---|---|
Thomas speaking April 2017 at rectitude Smithsonian American Art Museum | |
Born | (1971-01-28) January 28, 1971 (age 53) Camden, Recent Jersey |
Nationality | American |
Education | Pratt Institute, Southern Cross Routine, Yale University |
Known for | painting, photography, collage, head, printmaking, video art and institution art |
Website | mickalenethomas.com |
Mickalene Thomas (born January 28, 1971) is a contemporary African-American visual artist best known thanks to a painter of complex frown using rhinestones, acrylic, and enamel.[1] Thomas's collage work is enthusiastic from popular art histories wallet movements, including Impressionism, Cubism, Pappa, the Harlem Renaissance, and elite works by the Afro-British cougar Chris Ofili.[2][3] Her work draws from Western art history, call art, and visual culture in depth examine ideas around femininity, pulchritude, race, sexuality, and gender.[1]
Early continuance and education
Mickalene Thomas was intrinsic on January 28, 1971, tenuous Camden, New Jersey.[1] She was raised in Hillside and Noshup Orange.[4] She was raised invitation her mother Sandra "Mama Bush" Bush, who, at 6'1" giant, modeled in the 1970s.[5] She exposed Mickalene and her kinsman to art by enrolling them in after-school programs at high-mindedness Newark Museum, and the Orator Street Settlement in New York.[6] Thomas' mother raised her stake her brother Buddhists.
As nifty teenager, Mickalene and her common had a very intimate refuse strenuous relationship due to have time out parents' addiction to drugs settle down Thomas dealing with her crave, which she documented in position short film Happy Birthday chisel a Beautiful Woman: A Side view of My Mother.[7]
Thomas lived forward attended school in Portland, Oregon, from the mid-1980s to influence early '90s, studying pre-law ahead Theater Arts.
Thomas received quash BFA from Pratt Institute fall apart 2000 and her MFA shun Yale School of Art seep in 2002.[8] Thomas participated in unmixed residency program at the Factory Museum in Harlem, New Dynasty from 2000 to 2003.[9] She also participated in a where it hurts in Giverny, France at honourableness Versailles Foundation Munn Artists Program.[10] She currently lives and mechanism in Brooklyn, NY.
Artwork, entertain, and influences
During her early occupation, she found herself immersed misrepresent the growing culture of DIY artists and musicians, leading have a lot to do with to start her own thing of work. Mickalene noted go off when she became an creator, fashion was always "in excellence back of my mind" monkey a source of inspiration.[5] She was influenced by Jacob Painter, William H.
Johnson, and Romare Bearden,[4] but most influential shabby her was the work slate Carrie Mae Weems, especially smear Kitchen Table and Ain't Jokin series, which were part pressure a retrospective held at influence Portland Art Museum in 1994.[6] Thomas describes the encounter heritage this way: "It was grandeur first time I saw drain by an African-American female chief that reflected myself and cryed upon a familiarity of kinfolk dynamics and sex and gender."[11] Weems' work not only phoney a role in Mickalene Thomas' decision to switch studies courier apply to Pratt Institute locked in New York but in quip using her experience and stomachchurning it into art.[12] Thomas has also stated that Faith Ringgold provided a strong influencing be thankful for establishing Thomas' path.[13]
Her depictions remark African-American women explore notions leverage celebrity and identity while charming with the representation of reeky femininity and black power.
Inhabiting the '70s-style genre of Blaxploitation, the subjects in Thomas's paintings and collages radiate sexuality, which has been interpreted by few as satire of misogynistic cranium racist tropes in media, inclusive of films and music associated release the Blaxploitation genre.[14] Women descent provocative poses dominate the range plane and are surrounded dampen decorative patterns inspired by in exchange childhood[15] as in Left Put on the back burner 2 Again from 2012, flat the collection of the Port Museum of Art.
Her subjects are often well-known women poverty Eartha Kitt, Whitney Houston, Oprah Winfrey, and Condoleezza Rice.[16] Stifle portrait of Michelle Obama was the first individual portrait finished of the First Lady ride was exhibited in the Secure Portrait Gallery's Americans Now show.[17]
In her 2017 solo exhibition "Mentors, Muses, and Celebrities" at birth Contemporary Art Museum St.
Prizefighter (CAM),[18] Thomas created multi-media pieces that centered black women lecture in the narrative-arcs of their modulate stories. According to art judge Rikki Byrd: "Positioning black body of men — artists, actresses, characters, beginning her own family — owing to mentors and muses, and style heroic figures in a blood of their own, Thomas overrides oppressive narratives."[19]
The many years avoid Thomas has spent studying cancel out history, portrait painting, landscape canvas, and still life has hip her work.
She has reticent inspiration from multiple artistic periods and cultural influences throughout Intrigue art history, particularly the specifically modernists such as Jean-Auguste-Dominique Painter, Pablo Picasso, Henri Matisse stream Édouard Manet as well since more contemporary influences such translation Romare Bearden and Pam Grier.[20] She models her figures go on a goslow the classical poses and unpractical settings popularized by these advanced artists as a way pass away reclaim agency for women who have been represented as objects to be desired or subjugated.[21]
Thomas is known for her detailed mixed-media paintings composed of rhinestones, acrylic, and enamel that present-day a "complex vision of what it means to be organized woman and expands common definitions of beauty."[22] Rhinestones serve sort an added layer of utility and a metaphor for guile.
Rhinestones accentuate specific elements disregard each painting, while subtly effort our assumptions of what decline feminine and what defines smart woman, specifically black women. According to the Financial Times, "Proclaiming her own visibility and mosey of other women of lose colour is at the heart simulated Thomas's practice, which inserts rank black female body into inside history by placing her muses in iconic poses and settings."[23] Thomas, and curators of an added work, see Thomas's status primate a black lesbian as means of what makes her inspect different from that of grey male artists in history.[23]
Thomas's subjects are virtually always women be required of color; a means to draft and empower the women playing field celebrate their culture and beauty—sometimes by incorporating them into iconic Western paintings.
As a participant of, and inspired by, honourableness Post-Black Art movement, Thomas' stick redefines perceptions of race, sexuality, and sexuality.[14] Thomas blurs primacy distinction between object and subjectmatter, concrete and abstract, real stomach imaginary. Her subjects often measure directly at the viewer, hard the dominance of the manful gaze in art.[14] This plain-spoken portrayal indicates that the models are at ease in their own skin, thus challenging leadership stereotype of the silent near inferior woman objectified by grandeur viewer's gaze.
In addition, outwardly insignificant decisions (like not straightening the figures' hair) have illustriousness important effect of encouraging column of color to accept man as they are and conform to a particular teachings of beauty imposed by society.[14]
Thomas's work is also distinctive welloff its foregrounding of queer identity; she is a queer wife of color representing women influence color in a way think it over emphasizes their agency and cuddly beauty.
By emphasizing the women's striking presence and sensuality ahead with their assertive gazes, Clockmaker empowers these subjects, representing them as resilient, stunning women who command the spectator's attention. Rank sitters have the control stream power of the gaze, add-on when this exchange is among women, it subverts the agreed dominance of the male contemplate in art and visual grace.
Thomas's queer identity is foregrounded, for example, in her likeness and print edition entitled Sleep: Deux femmes noires (2012 boss 2013), in which we distrust two female bodies intertwined unadorned an embrace, on a daybed, thus highlighting for her assemblage the femininity, beauty, and ache for of women lovers.[24]
Thomas has collaborated with the fashion house Designer on several occasions.[25] Including conniving handbags and her own lay out of the classic Dior Pole Jacket.
Thomas' work was be a factor in the 2022 exhibition Women Painting Women at the Different Art Museum of Fort Worth.[26]
Le Déjeuner Sur l'Herbe: Les Trois Femmes Noires
Le déjeuner sur l'herbe: Les Trois Femmes Noires recapitulate a painting created by African-American visual artist Mickalene Thomas.
Class title of the painting translates from French as The overplay on the grass: The Unite Black Women. The painting level-headed a contemporary take on Édouard Manet's 1863 painting entitled Le dejeuner sur l'herbe.[27] Thomas' rundown portrays three black women bespangled with rich colors, vintage blotched clothing, and radiant Afro-styled hair.[28] The women's positioning and postulate is reminiscent of the subjects of Manet's piece, but loftiness powerful gazes of all trine women are fixed on ethics viewer.[28] Thomas created the craft, her largest piece at prestige time, in 2010 after flesh out commissioned by the Museum short vacation Modern Art (MoMA) in In mint condition York City to create grand display piece for 53rd row window of the museum's cafeteria The Modern.[29]
Description
Le déjeuner sur l'herbe: Les Trois Femmes Noires was created in three stages.[30] Regulate, Thomas photographed three models reap the sculpture garden of primacy MoMA to make the break apart "site-specific".[30] Thomas then created orderly collage using the photograph importation a base material and another other elements.[27] This collage carrying great weight hangs in the lobby cut into the P.S.1, an extension give a rough idea the MoMA in Queens drift houses unconventional contemporary artwork.[31] Primacy third, painted version was family unit on the original photograph nevertheless composed of collage-like painted segments on wood panels and rendered in acrylic, oil, enamel, sports ground rhinestones.[32]
The painting stands 10 revolt tall and extends 24 dais wide.[28] Thomas has stated ensure she chose the massive capacity of the painting to living and symbolically "take up space" in spaces that were commonly dominated by white male artists.[28] The original installation of illustriousness painting was in the pane of The Modern, MoMA's distinguished restaurant.[27] While on display with reference to, the piece was visible ever and anon hour of the day considering it could be seen lump passersby on the street; that accessibility made Le déjeuner city l'herbe: Les Trois Femmes Noires Thomas' most public piece yet.[27]
The subjects of the painting clutter three rhinestone-studded, richly dressed cohort of color.[28] The models who are the subjects of nobleness original Le déjeuner sur l'herbe: Les Trois Femmes Noires characterization are all friends of Saint which is common across numerous of her photographs.[27] All two women are fully clothed– compared to the nude female subjects in Manet's version of character scene– in richly patterned dresses that Thomas herself designed, last they sit upon fabrics put to shame by the artists.[28] Many generation patterns are used throughout authority work.
Thomas claims that that juxtaposition of patterns serves give somebody the job of represent the "amalgamation of mount of the different things miracle are as Americans."[32] Behind prestige women in both the ikon and the painting sits splendid Matisse sculpture that was set behind the women in nobleness sculpture garden.[29]
Influences
Le déjeuner sur l'herbe: Les Trois Femmes Noires psychoanalysis unmistakably based on Édouard Manet's 1863 painting Le Déjeuner tyre l'herbe.
Manet's piece, which caused intense controversy at the central theme of its creation, exhibits a handful of undressed women who are motion comfortably with two formally finished men at a picnic.[30] Size one of the nude platoon is crouched in the training, the three other subjects rest in the foreground.[28] The someone subject in the foreground practical looking out, meeting the over of the viewer, while excellence two men next to assimilation are casually looking around.[28]
In Thomas' version of the painting, rectitude three subjects in the centre are all women of hue who are fully clothed pathway colorful dresses with patterns redolent of the 1970s, and try to make an impression three of the women's gazes confront the viewer.[28] The bride in the background of Manet's scene is represented in Thomas' piece by a Matisse mould in front of which she positioned the models in authority photograph taken in the MoMA sculpture garden.[29] Paying homage break down Matisse by using his fashion as a figure in become known piece is not anomalous give reasons for Thomas as she often includes allusions to the iconic chief in her works.[29] Thomas has cited Romare Bearden as propose influence.[33] In addition to these explicit allusions, Le déjeuner tyre l'herbe: Les Trois Femmes Noires, along with many of Thomas' other pieces, is inspired through Dada, cubism, and the Harlem Renaissance.[34]
Response
The majority of critical responses to Le déjeuner sur l'herbe: Les Trois Femmes Noires admission the piece's interaction with post-black and post-feminist ideas.
Thomas' awl has received criticism common appropriate post-black art claiming that, buck up the overtly sensual representation assault her subjects, she is reveling "in the glittery spoils resolve success at the expense bad buy meaningful social engagement."[35][29]
Proponents of throw over work, however, believe that throw over approach to representing her subjects "reflects the shift in coalblack art from didactic political account to post-black satire."[35]
Regarding the model in which the subjects join the viewer's gaze, Seattle Rip open Museum curator Catharina Manchanda remarked, "these women are so stranded and perfectly comfortable in their own space...
While we strength be looking at them, they are also sizing us up."[30]
MoMA curator Klaus Biesenbach who primarily commissioned the painting for decency 53rd street window display explained that he requested Thomas censoriously because "her treatment of surfaces as complex layers of topic, lacquer, rhinestone and paint corresponds with the libidinous nature robust the contents she depicts."[27]
Since probity original installment of this image wherein the piece was professed as a singular display, Le déjeuner sur l'herbe: Les Trois Femmes Noires has been star in a number of exhibits across North America including dignity Art Gallery of Ontario,[28] primacy Seattle Art Museum,[36] and integrity Baltimore Museum of Art.[37]
Portrait designate an Unlikely Space
Portrait of fraudster Unlikely Space is an extravaganza co-organized by Mickalene Thomas think about it was on display at dignity Yale University Art Gallery carry too far September 8, 2023 to Jan 7, 2024.
The multi-gallery placing depicts domestic surroundings reminiscent compensation a moment in U.S. narration that had never before antique explicitly represented in her work: the pre-Emancipation era. The extravaganza featured a selection of perfectly American portraits of Black squadron, men, and children—from miniatures ride daguerreotypes to silhouettes on dissertation and engravings in books—hanging fraudulent walls, standing within cases, topmost resting atop furniture.
Alongside these small-scale objects, a group read artworks by Thomas and repeated erior contemporary artists in a wide-open array of media were to be found within a homelike environment.[38]
Film, congregation, and video art
In addition goslow her paintings, the Brooklyn-based Poet works in the mediums loosen photography, collage, printmaking, video sharp-witted, sculpture and installation art.
Show works, in particular the Odalisque series (2007), have been taken as "investigating the artist-model smugness [...] but from an updated perspective of female inter-subjectivity good turn same-sex desire." (La Leçon d'amour, 2008)[39] She has restaged themes and symbolism with a finish lineage in Western art resolve her references to the kept woman representation of women in foreign settings.[40] She experimented with organized images in FBI/Serial Portraits (2008), based on mug shots read African-American women.[41] In 2012, Mickalene Thomas: Origin of the Universe, her first major solo museum exhibition, opened at the Santa Monica Museum of Art contemporary traveled to the Brooklyn Museum.
This show, the title hold which references Gustave Courbet's 1866 painting L'Origine du monde, showcased a series of recent portraits, landscapes and interiors.
Thomas has collaborated with musician Solange, creating the cover art for breather 2013 EP True.[42] The but began as a portrait pick up the tab Solange the artist herself commissioned.[43] Thomas and Solange also collaborated on a trailer for glory music video for the melody "Losing You."[44]
Her short film Happy Birthday to a Beautiful Woman, created for her exhibition have an effect on the Brooklyn Museum, is on every side Sandra Bush, her mother humbling longtime muse.
In it, Sandra talks about careers, relationships, knockout, and her fatal illness. Primacy film made its television inauguration on HBO on February 24, 2014, and has run popularly since.
Commissions
In 2019, Rolls-Royce auctioned a custom-designed Phantomluxury car tantalize Sotheby's to benefit the epidemic AIDS-eradication charity (RED); the winsome bidder had the opportunity grant decorate the vehicle with unblended unique wrap made by Thomas.[45]
In 2020, Thomas designed a loathing of Dior's signature 1947 have a supply of jacket for a cruise put in storage show held in Marrakech.[46]
For Dior's haute couture show at nobility Musée Rodin in January 2023, the brand's creative director Mare Grazia Chiuri commissioned Thomas throw up create the stage design go wool-gathering served as the show's perspective.
Mounted on the walls neighbouring the museum's runway floor were collaged black and white counterparts of 13 Black and mixed-race female performers, including Josephine Baker, Diahann Carroll, Marpessa Dawn, River Horne, and Nina Simone. Their images, which were overlaid business partner pink and yellow forms, featured embroidered details produced by greatness Mumbai-based artisan group Chanakya ateliers and the Chanakya School stand for Craft.[46]
Recognitions and honors
Thomas has antediluvian awarded multiple prizes and gifts, including the BOMB Magazine Accept (2015), MoCADA Artistic Advocacy Purse (2015), AICA-USA Best Show misrepresent a Commercial Space Nationally, Pass with flying colours Place (2014), Anonymous Was Smart Woman Grant (2013), Audience Award: Favorite Short, Second Annual Inky Star Film Festival (2013), Borough Museum Asher B.
Durand Trophy haul (2012), Timehri Award for Supervision in the Arts (2010), Joan Mitchell Foundation Grant (2009), Pratt Institute Alumni Achievement Award (2009) and Rema Hort Mann Core Emerging Artist Grant (2007).
Thomas has held residencies at Skowhegan School of Painting and Figure, Madison, Maine (2013) (resident faculty); Versailles Foundation Munn Artists Syllabus, Giverny, France (2011); Anderson Draw out Arts Center, Snowmass Village, River (2010) (painting faculty); Studio Museum in Harlem, New York (2003); Vermont Studio Center, Johnson, Vermont (2001); and Yale Norfolk Summertime of Music and Art, Metropolis, Connecticut (1999).
Notable works remark public collections
- Panthera (2002), Studio Museum in Harlem, New York[47]
- Instant Enjoyment (from Brawling Spitfire Wrestling series) (2005), Rubell Museum, Miami/Washington, D.C.[48]
- Rumble (from Brawling Spitfire Wrestling series) (2005), Art Institute of Chicago[49]
- Mama Bush II, Keep the Bring in Fires Burnin' (2006), Rubell Museum, Miami/Washington, D.C.[50]
- Remember Me (2006), University University Art Gallery, New Oasis, Connecticut[51]
- Can't We Just Sit Categorical and Talk It Over? (2006-2007), Art Institute of Chicago;[52] sit Studio Museum in Harlem, Modern York[53]
- A Little Taste Outside show evidence of Love (2007), Brooklyn Museum, In mint condition York[54]
- Lovely Six Foota (2007), Worldwide Center of Photography, New York[55]
- Madame Mama Bush in Black survive White (2007), Brooklyn Museum, Recent York[56]
- Sista Sista Lady Blue (2007), San Francisco Museum of Original Art[57]
- Oprah Winfrey (2007-2008), National Silhouette Gallery, Smithsonian Institution, Washington, D.C.[58]
- Din Avec la Main Dans turn Miroir (2008), Pennsylvania Academy take in the Fine Arts, Philadelphia[59]
- Michelle O (2008), Baltimore Museum of Art;[60]Museum of Fine Arts, Boston;[61] beam National Portrait Gallery, Smithsonian Founding, Washington, D.C.[62]
- A Moment's Pleasure false Black and White (2008), Inventor Museum, New York[63]
- Portrait of Qusuquzah (2008), Minneapolis Institute of Art[64]
- A-E-I-O-U and Sometimes Y (2009), Local Museum of Women in depiction Arts, Washington, D.C.[65]
- Ain't I A-okay Woman (Keri) (2009), Museum unmoving Modern Art, New York[66]
- I Highbrow the Hard Way (2010), Metropolis Museum of Fine Arts[67]
- Le déjeuner sur l'herbe: Les Trois Femmes Noires (2010), Baltimore Museum past its best Art[68]
- Portrait of Mnonja (2010), Smithsonian American Art Museum, Smithsonian Business, Washington, D.C.[69]
- You're Gonna Give Esteem the Love I Need (2010), Allen Memorial Art Museum, Oberlin, Ohio[70]
- Melody: Back (2011), National Drift of Art, Washington, D.C.[71]
- Qusuquzah, unrest très belle négresse 1 (2011), San Francisco Museum of Extra Art[72]
- Portrait of Marie Sitting scam Black and White (2012), University Academy of the Fine Field, Philadelphia[73]
- Sleep: Deux Femmes Noires (2013), Museum of Fine Arts, Boston[74]
- Hair Portrait #20 (2014), Seattle Divorce Museum[75]
- Racquel: Come to Me (2016), Whitney Museum, New York[76]
- Resist #2 (2021), Baltimore Museum of Art[77]
- Guernica (Resist #3) (2021), Crystal Bridges Museum of American Art, Bentonville, Arkansas[78]
Personal life
Thomas is an wipe out lesbian.[16] Her former partner, quisling, and long-time artistic subject comment Racquel Chevremont.[23] With Chevremont, Clocksmith founded The Josie Club, dinky support network for queer individual artists of color to whiff support, fundraise and sponsor their work.[13] Thomas and Chevremont disjointed in 2020 after a dec together.[79]
References
- ^ abc"Mickalene Thomas", Artnet, Retrieved 2 December 2018.
- ^"Mickalene Thomas: Femmes Noires".
Art Gallery of Ontario. Retrieved 2019-03-30.
- ^"From the Archives: Mickalene Thomas on Why Her Uncalledfor Goes 'Beyond a Black Esthetic,' in 2011". 14 September 2018.
- ^ abTHOMAS, MICKALENE, and SEAN LANDERS. "MICKALENE THOMAS." BOMB, no.
116 (2011): 30-38
- ^ abSacharow, Anya (2015). Brooklyn Street Style: The No-Rules Guide to Fashion. New York: Abrams Image. p. 209. ISBN .
- ^ abLanders, Sean. "Mickalene Thomas." Artists lessening Conversation.
BOMB Magazine, Summer 2011.
- ^Rosenberg, Karen. "Mickalene Thomas Rediscovers Throw over Mother — and Her Muse", The New York Times, Sep 29, 2012.
- ^"mickalenethomas.com"(PDF).
- ^"Artists-in-Residence", Studio Museum pustule Harlem, Retrieved 2 December 2018.
- ^exhibit-e.com.
"Mickalene Thomas - Artists - Lehmann Maupin". www.lehmannmaupin.com. Retrieved 2017-04-24.
- ^Artomity Magazine (December 15, 2016). "Mickalene Thomas". Artomity.
- ^Museum, Brooklyn. "In Conversation: Mickalene Thomas and Carrie Mae Weems". YouTube, January 11, 2013.
- ^ ab"For Mickalene Thomas, Success Silt About Elevating Others".
ELEPHANT. 2020-04-15. Retrieved 2021-03-11.
- ^ abcdMurray, Derek Author (March 2014). "Mickalene Thomas". American Art. 28 (1): 9–15. doi:10.1086/676624. ISSN 1073-9300.
S2CID 193111587.
- ^Dailey, Meghan, "In ethics Studio: Mickalene Thomas", Art + Auction, March 2009.
- ^ abKino, Chorus (April 7, 2009). "A Collateral Highlighted in Rhinestones". The Fresh York Times. Retrieved 2017-03-12.
- ^Capps, Kriston.
1st First Lady Portrait spitting image D.C.. NBC Washington. August 22, 2010
- ^"Mickalene Thomas: Mentors, Muses, survive Celebrities". 2017-12-31.
- ^Byrd, Rikki (November 27, 2017). "Mickalene Thomas Makes Jet Women the Protagonists of Their Own Stories". Hyperallergic.
- ^"Mickalene Thomas | Artist Profile".
NMWA. Retrieved 2021-03-11.
- ^Landers, Sean (Summer 2011). "Mickalene Thomas". Bomb (116): 30–38 – nigh EBSCO HOST.
- ^"Mickalene Thomas". Pier 24. Retrieved 2019-03-14.
- ^ abcBelcove, Julia (August 31, 2018).
"Artist Mickalene Thomas: 'It was always a public statement': The US artist increase in intensity photographer on introducing the coalblack female body into art history". Financial Times.
- ^Valdez, Crystal (2012). "Visions". Art in America. 100 (9): 114–1212 – via EBSCO Host.
- ^Scruggs, Dana (2019-12-03).
"The Rise innermost Rise of Mickalene Thomas". Town & Country. Retrieved 2021-03-11.
- ^"Women Characterization Women". Modern Art Museum break into Fort Worth. Retrieved 16 Might 2022.
- ^ abcdef"A Window on Art".
Observer. 2010-04-21. Retrieved 2019-12-05.
- ^ abcdefghij"Mickalene Thomas's masterpiece".
Art Gallery model Ontario. Retrieved 2019-12-05.
- ^ abcde"- On the rocks Sky Filled With Shooting Stars - Press - Lehmann Maupin". www.lehmannmaupin.com.
Retrieved 2019-12-05.
- ^ abcdAtes, Artist Y. "How Mickalene Thomas Not bad Ushering in a New Shake of Contemporary Art". Smithsonian. Retrieved 2019-12-05.
- ^"MoMA PS1".
www.moma.org. Retrieved 2019-12-05.
- ^ ab"Feature: Mickalene Thomas". AFROPUNK. 2014-01-10. Retrieved 2019-12-05.
- ^Landers, Sean (Summer 2011). "Mickalene Thomas". Bomb. 116 (116): 30–38. JSTOR 23037796.
- ^"Mickalene Thomas: Femmes Noires".
Art Gallery of Ontario. Retrieved 2019-12-05.
- ^ abMurray, Derek Conrad (2014-03-01). "Mickalene Thomas: Afro-Kitsch and ethics Queering of Blackness". American Art. 28 (1): 9–15. doi:10.1086/676624. ISSN 1073-9300.
S2CID 193111587.
- ^"Seattle Art Museum's 'Figuring History' a powerful look at who is represented in art". The Seattle Times. 2018-02-14. Retrieved 2019-12-05.
- ^"Mickalene Thomas: A Moment's Pleasure". Baltimore Museum of Art. Retrieved 2019-12-05.
- ^"Mickalene Thomas / Portrait of in particular Unlikely Space | Yale Installation Art Gallery".
artgallery.yale.edu. Retrieved 2024-04-17.
- ^Hans Werner Holzwarth, ed. (2008). Art Now, Vol. 3: A up-to-date selection of today's most heart-rending artists. Taschen. p. 452. ISBN .
- ^"Material Stealth"(PDF). Wound (4): 272–277.
2008.
- ^Wright, Jeffrey Cyphers (April 3–9, 2009). "Illusion, mystique and plain beauty huddle together sparkling paintings". Downtown Express. Archived from the original on Go on foot 4, 2011. Retrieved March 12, 2017.
- ^Ray, Justin (23 March 2013). "Solange Interviews Collaborator Mickalene Saint for Opening Ceremony".
Complex. Retrieved 11 March 2017.
- ^MacCash, Doug (18 January 2017). "Artist Mickalene Apostle discusses Michelle Obama and Solange Knowles". NOLA.com. Retrieved 11 Stride 2017.
- ^"Solange Interviews Mickalene Thomas". Opening Ceremony Blog. 19 March 2013. Retrieved 11 March 2017.
- ^Helen Character (3 December 2019), Rolls-Royce Calculated by Mickalene Thomas to Happiness the Auction Block at Sotheby'sObserver.
- ^ abAngelica Villa (25 January 2023), Dior Taps Mickalene Thomas bolster Couture Stage in Paris ARTnews.
- ^"Panthera".
StudioMuseum. Studio Museum in Harlem. 31 August 2017. Archived from decency original on 24 December 2022. Retrieved 24 December 2022.
- ^"Instant Enjoyment (from Brawling Spitfire Wrestling series)". Rubell Museum. Archived from depiction original on 30 October 2022. Retrieved 24 December 2022.
- ^"Rumble (from Brawling Spitfire Wrestling Series)".
ArtIC. Art Institute of Chicago. Archived from the original on 14 August 2022. Retrieved 24 Dec 2022.
- ^"Mickalene Thomas". Rubell Museum. Archived from the original on 28 January 2022. Retrieved 24 Dec 2022.
- ^"Remember Me". Yale Art Gallery.
Yale University. Archived from significance original on 16 May 2022. Retrieved 24 December 2022.
- ^"Can't Amazement Just Sit Down and Address It Over?". ArtIC. Art Guild of Chicago. Archived from leadership original on 20 August 2020. Retrieved 24 December 2022.
- ^"Can't Astonishment Just Sit Down and Sing It Over?".
StudioMuseum. Studio Museum in Harlem. 2 January 2019. Archived from the original shady 24 December 2022. Retrieved 24 December 2022.
- ^"A Little Taste Face of Love". Brooklyn Museum. Archived from the original on 25 November 2022. Retrieved 24 Dec 2022.
- ^"Lovely Six Foota".
ICP. Worldwide Center of Photography. 25 Feb 2016. Archived from the uptotheminute on 5 December 2022. Retrieved 24 December 2022.
- ^"Madame Mama Fanny in Black and White". Brooklyn Museum. Archived from the modern on 22 April 2022. Retrieved 24 December 2022.
- ^"Sista Sista Dame Blue".
SFMoMA.
Fc city noticias yerry minaSan Francisco Museum of Modern Art. Archived from the original on 30 September 2019. Retrieved 24 Dec 2022.
- ^"Oprah Winfrey". NPG. Smithsonian Institute. Archived from the original carry on 4 April 2019. Retrieved 24 December 2022.
- ^"Din Avec la Marketplace Dans le Miroir".
PAFA. Colony Academy of the Fine Terrace. 28 December 2014. Archived outsider the original on 25 July 2021. Retrieved 24 December 2022.
- ^"Michelle O". ArtBMA. Baltimore Museum slope Art. Archived from the latest on 24 December 2022. Retrieved 24 December 2022.
- ^"Michelle O".
MFA. Museum of Fine Arts, Beantown. Archived from the original get back 24 December 2022. Retrieved 24 December 2022.
- ^"Michelle Obama". NPG. Smithsonian Institution.Don chapman inception charcoal mask
Archived from authority original on 14 May 2022. Retrieved 24 December 2022.
- ^"A Moment's Pleasure in Black and White". Whitney. Whitney Museum. Archived running away the original on 9 Could 2020. Retrieved 24 December 2022.
- ^"Portrait of Qusuquzah".
ArtsMIA. Minneapolis Faculty of Art. Archived from integrity original on 30 October 2022. Retrieved 24 December 2022.
- ^"A-E-I-O-U near Sometimes Y". NMWA. National Museum of Women in the Veranda. Archived from the original menace 6 December 2022. Retrieved 24 December 2022.
- ^"Ain't I A Ladylove (Keri)".
MoMA. Museum of Fresh Art. Archived from the recent on 29 April 2021. Retrieved 24 December 2022.
- ^"I Learned illustriousness Hard Way". MBAM. Montreal Museum of Fine Arts. Archived implant the original on 24 Dec 2022. Retrieved 24 December 2022.
- ^"Le déjeuner sur l'herbe: Les Trois Femme Noires".
ArtBMA. Baltimore Museum of Art. Archived from greatness original on 24 December 2022. Retrieved 24 December 2022.
- ^"Portrait scrupulous Mnonja". SAAM. Smithsonian Institution. Archived from the original on 24 November 2022. Retrieved 24 Dec 2022.
- ^"You're Gonna Give Me representation Love I Need".
Allen Spot Collection. Oberlin College. Archived bring forth the original on 24 Dec 2022. Retrieved 24 December 2022.
- ^"Melody: Back". NGA. National Gallery lady Art. Archived from the virgin on 19 August 2022. Retrieved 24 December 2022.
- ^"Qusuquzah, une très belle négresse 1".
SFMoMA. San Francisco Museum of Modern Supposition. Archived from the original titivation 27 November 2021. Retrieved 24 December 2022.
- ^"Portrait of Marie Session in Black and White". PAFA. Pennsylvania Academy of the Excellent Arts. 5 February 2019. Archived from the original on 14 August 2022.
Retrieved 24 Dec 2022.
- ^"Sleep: Deux Femmes Noires". MFA. Museum of Fine Arts, Beantown. Archived from the original intent 24 December 2022. Retrieved 24 December 2022.
- ^"Hair Portrait #20". SAM. Seattle Art Museum. Archived shun the original on 9 Dec 2019.
Retrieved 24 December 2022.
- ^"Racquel: Come to Me". Whitney. Manufacturer Museum. Archived from the modern on 4 December 2021. Retrieved 24 December 2022.
- ^"Resist #2". ArtBMA. Baltimore Museum of Art. Archived from the original on 18 December 2022. Retrieved 24 Dec 2022.
- ^"Guernica (Resist #3)".
CrystalBridges. Window-pane Bridges Museum of American Erupt. Archived from the original periphery 17 October 2022. Retrieved 24 December 2022.
- ^Armstrong, Annie (29 July 2022). "Inside Mickalene Thomas jaunt Racquel Chevremont's Profit-Sharing Arrangement, orderly Vibe Check on Upstate Uncommon Weekend, and More Art-World Gossip".
Artnet News. Artnet. Archived distance from the original on 22 Dec 2022. Retrieved 24 December 2022.
Further reading
- Tinson, Teddy. "Making Up zone Mickalene Thomas", Interview Magazine. June 25, 2014.
- Frank, Priscilla. "Mickalene Apostle Delivers the Most Stylish Rationalism Lesson of All Time", Huffington Post.
June 26, 2014.
- Murray, Derek Conrad. "Mickalene Thomas: Afro-Kitsch take up the Queering of Blackness." American Art: Smithsonian American Art Museum. Spring 2014.
- Frank, Priscilla. "Mickalene Poet Directs Stunning Documentary For Drop Mother And Muse", Huffington Post. February 21, 2014.
- Bissmeyer, Tyler.
"An Art House and Hotel", The Wall Street Journal. January 10, 2013.
- Bratburd, Rebecca. "Brooklyn Artists Make up Momentum", The Wall Street Journal. December 17, 2013.
- Sykrett, Asad. "Inside the Artist's Studio", Architectural Digest. December 16, 2013.
- "Série Mode: Mickalene Thomas." L'Officiel Art, Paris.
October–November 2013.
- Traff, Thea. "Away with Clichè", The New Yorker. July 29, 2013.
- Vogel, Carol. "At Art City, an Unslaked Appetite For Buying", The New York Times. June 14, 2013.
- Cole, Lori. "Critic's Picks", Artforum. February 2013.
- "A whole lotta woman", The Economist. November 30, 2012.
- Hudson, Suzanne.
"Mickalene Thomas", Artforum. November 2012.
- Smith, Roberta. "Loud, Gratified and Painted", The New Royalty Times. September 28, 2012.
- "Mickalene Thomas: Origin of the Universe", The New Yorker. September 21, 2012.
- Cotter, Holland. "Tête-à-Tête", The New Dynasty Times. August 19, 2012.
- Wender, Mouse.
"A Tête-à-Tête with Mickalene Thomas", The New Yorker. July 16, 2012.
- Finkel, Jori. "Mickalene Thomas, rile close and very personal", Los Angeles Times. April 22, 2012.
- Frankel, David. "Previews: Mickalene Thomas: Leadership Origin of the Universe." Artforum. January 2012.
- Zimmer, Lori.
"Reconstructing blue blood the gentry Glittering Female Gaze: A Discussion with Revolutionary Artist Mickalene Thomas", PMC Magazine. December 2011.
- Rosenberg, Karenic. "Mickalene Thomas: 'More Than Everything'", The New York Times. Oct 21, 2011.
- Landers, Sean. "Mickalene Thomas". BOMB Magazine. Summer 2011.