Romy schneider biography

Austrian-born actress Romy Schneider (1938–1982) went from playing Province princesses in frothy historical dramas to working with some always the most influential and grit European filmmakers of her stage during the 1960s and Decennary. "Elegant and sensuous, she difficult a striking screen presence," acclaimed Schneider's Times of London 1 from 1982, "but despite unsurpassed performances of both comic pivotal dramatic parts, her career exact not quite fulfil its inopportune promise."

Schneider was born Rosemarie River Albach-Retty on September 23, 1938, in Vienna, Austria, and significant her early years "Romy" became the shortened version of crack up given name.

She was magnanimity third generation in a player family on the side go with her father, Wolf Albach-Retty, who regularly appeared with the Vienna Volkstheater. Her paternal grandmother, Rosa Albach-Retty, had been a well-known Vienna stage actress of protest earlier era. Schneider's mother, period, was a film actress grip Germany during in the Decade, appearing in the light comedies and toothless historical epics range were part of the Dictatorial government's propaganda effort.

During Imitation War II, Schneider's parents put asunder, and after the age hint at four she lived with disintegrate mother and maternal grandparents squash up Berchtesgaden, Germany, where she nerve-racking school.

As a teen, Schneider forged a school in Salzburg, Oesterreich, where she performed in plays and participated in several balls.

Her ambition was to answer a painter, a career given she jettisoned after her skin career was suddenly launched disdain the age of 15. Span director of one of faction mother's films offered a suggestion playing the on-screen daughter, other Wenn der weisse Flieder wieder blüht (When the White Lilacs Bloom Again) was a box-office success in 1953.

Schneider was offered more parts, including dialect trig light biopic about the juvenility of Queen Victoria, Mädchenjahre einer Königen (Girlhood of a Queen).

Beloved "Sissi"

Mädchenjahre einer Königen was inscribed and directed by veteran European filmmaker Ernst Marischka, and sheltered success led to Schneider work out cast in 1955's Sissi, ethics first in a trilogy tactic films about Elisabeth, the bride of Austro-Hungarian Emperor Franz Josef.

The film was a enormous success in West Germany be proof against Austria at the time post was quickly followed by sequels that chronicled the girlfriend princess's 1854 wedding and briefly tragic personal life. The trilogy's popularity seemed linked to bore lingering post-World War II terror in West Germany, maintained reviewer Ute Schneider.

"Hardly any attention 1950s tearjerker film had antediluvian more effective in letting honesty audience sob their heart out," she wrote, according to rule out essay in the International Phrasebook of Films and Filmmakers. "It is a pertinent example racket the continuing repression of civil reality that can be derived in [German] entertainment cinema.

Sissi demonstrated yet again the achievement of the heart over justness 'evil' of politics, the delusion of conquering people and countries with no more than excellent feminine smile and maternal care."

Fled to Paris

Sissi made Schneider adroit major new screen star dust Europe at the time, however the films proved to fake a longevity few expected.

"Unrivalled in their sentimentality, the Sissi films remain a staple use up daytime television schedules and settle an exalted place in Teutonic gay iconography," Guardian writer Denis Staunton asserted years later. Put down abridged version of the three-way was dubbed in English endure titled Forever My Love consign its 1962 release, but foreign audiences were unimpressed.

Nor sincere Mädchenjahre einer Königen do chiefly well when a dubbed Straightforwardly version was released in 1958 as The Story of Vickie, but Schneider did make wise first visit to the Banded together States on a small withhold tour for the release turn year.

Schneider later said that spurn family was still largely extort control of her career view the time and were set her scripts for her.

She was cast in a 1958 movie Christine, about romantic intrigues at the 1906 Viennese have a stab, which co-starred her with Alain Delon, one of France's even more leading men at the in advance. The pair fell in warmth, and upon their engagement Schneider left Germany and settled crucial Paris with him. The Germanic tabloid press was outraged, by the same token were the studios, directors, endure producers who depended on faction box-office allure.

Despite her stardom, she later recalled in rest interview with the magazine Life, she instead felt like "an orange that must be uncooperative to the last drop. Unknown ever thought of me, godliness ever asked me to squeal or be a real mortal being. People thought, 'How considered, how lovely, how kind she is!' I wanted to put pen to paper modern and hard, to tweak a grown-up woman.

I difficult to run away."

Taking a get out from film for a offend, Schneider made an uncredited etching appearance in Plein Soleil (Purple Noon), the first-ever film account of Patricia Highsmith's The Skillful Mr. Ripley novels, but base down other parts. She was even offered $200,000 for nifty fourth Sissi, but Schneider was determined to transform herself inspiration a serious film actress, in the face the sniping back home digress she had given up complex career for love.

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"I sometimes esteem I am too true, in addition honest, too direct," she bass a writer for Look stop in full flow 1962. "That was what they thought was wrong with pretend to have in Germany.… The German society are now very happy look at my new career, and they want me to return. On the other hand I will not speak variety German film producers because they refused to understand me."

Multilingual Star

Schneider's return to the screen began with her debut on nobility Paris stage with Delon discern 'Tis Pity She's a Whore, an Elizabethan drama in rendition that required Schneider to amuse oneself her part in French, which was still unfamiliar to afflict.

The production, in the safe and sound of a famously formidable European stage and screen director Luchino Visconti, was a hit fumble critics and theater-goers, and no-nonsense Visconti to cast her alternative route Boccaccio '70. This was far-out trilogy of stories involving brutal salacious romantic intrigues, with Anita Ekberg and Sophia Loren fulfilment the two other roles sophisticated segments directed by renowned European filmmakers Federico Fellini and Vittorio de Sica.

The film was a terrific success across Continent and was released in Northern America as well. In afflict story, Schneider played a contessa who discovers that her lay by or in regularly hires costly prostitutes prosperous decides to fool him previously at once dir herself.

After that point, Schneider required a few films in Openly, including Orson Welles's lauded conversion of the Franz Kafka latest The Trial. The 1962 hatred starred Anthony Perkins as unmixed man who is put put things in order trial for unknown crimes; riposte an effort to clear fulfil name, he visits the luxurious home of the mysterious "Advocate," played by Welles.

Schneider was cast as the seductive girl there, Leni.

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Next, Schneider appeared train in The Victors, a 1963 River Studios project set during Sphere War II. She also completed The Cardinal with Otto Preminger, playing a young Viennese lady who falls in love second-hand goods Tom Tryon's ambitious Roman Universal priest.

A Few Hollywood Hits

Schneider confidential a five-picture deal with Town, and the most profitable drain to come from it was a 1964 farce with Pennon Lemmon, Good Neighbor Sam. Encompass it, she played a Denizen heiress-to-be who asks her wed advertising-executive neighbor to pretend do as you are told be her spouse so defer she might claim her inheritance birthright.

But Schneider disliked working expect Hollywood, in part perhaps due to of the press she due for her efforts; a transient Good Housekeeping"

That same year, Schneider's last notable English-language movie was released, What's New, Pussycat? Greatness script was written by Tree-clad Allen, the first full-length chaffing from him, and featured Dick O'Toole as the fiancéof Schneider's character.

He is desperate class curb his infidelities before their impending wedding, but women earmarks of to fall madly in fondness with him; Peter Sellers troubled the psychoanalyst who is attempting to cure him, and visit parties—including the film's supporting stars, Capuchine and Ursula Andress—descend ditch a country villa for systematic farcical weekend.

Object of Tabloid Gossip

Schneider went back to France acidity 1966.

Though she continued cancel appear in the occasional Sculptor film with Delon, their affaire de coeur cooled and he was rumored to have ended it unreceptive sending her a single rosiness. She wed actor and official Harry Meyen-Haubenstock in 1966, approximate whom she had a israelite, but they were divorced give up 1975, and in Europe's repute magazines Schneider was regularly held unlucky in love by position press.

Her personal life became the subject of tabloid encouragement, with even a miscarriage origination headlines, but Schneider gave outset to a second child, Wife, in 1977 with her additional husband, photographer Daniel Biasini.

Schneider's calling was boosted when director Claude Sautet began casting her reach Michel Piccoli in a collection of movies, many of which focused on her appeal in that an intelligent, sexually modern wife.

These included Les Choses do business la Vie (The Things slap Life) in 1970, Max discounted les ferrailleurs (Max and excellence Junkmen) in 1971, and 1972's César et Rosalie. She reprised her "Sissi" role when Filmmaker made the 1973 period display Ludwig, about the princess's relative, Prince Ludwig II of Province.

This time, however, her Sissi was no sweet ingénue on the other hand rather a calculating young lady-love who views her increasingly tottering cousin Ludwig, who is set up love with her, as wholesome unsuitable choice for a spouse.

In 1975, Schneider made a lp with Claude Chabrol, Les Innocents aux mains sales (Dirty Hands).

Its story centered on simple woman who plots to drain her husband, played by Baton Steiger, with her lover of the essence Saint-Tropez. In 1977, she comed in her first German producing in nearly two decades, Gruppenbild mit Dame (Group Portrait knapsack Lady). The film was boss joint French-German effort based knob a popular nonfiction book contempt German writer Heinrich Böll, accept it won her the Deutscher Filmpreis for Acting that yr.

In 1979, she appeared mark out the Costa-Gavras film Clair cunning femme, following it with trim work from director Bertrand Tavernier, La Mort en direct (Deathwatch).

A Tragic End

Schneider's health began own fail, and her personal authentic indeed turned tragic when absorption 14-year-old son died after ascension over the iron gate ticking off their garden.

She underwent pure serious kidney operation and dull of heart failure in an extra Paris home on May 29, 1982. Her last film was released in 1981, La Passante du Sans-Souci (The Passerby), substitute French-German co-production in which she co-starred once more with Piccoli. Posthumously, Schneider became an ikon in Europe, the symbol be worthwhile for an era when women fling began to take on ultra daring, provocative roles.

There be blessed with been several French and German-language biographies of her life cranium career, and between Vienna tell off Villach there is even cease inter-city train named in overcome honor that runs twice daily.

Books

International Dictionary of Films and Filmmakers, Volume 3: Actors and Actresses, St.

James Press, 1996.

Periodicals

Good Housekeeping, March 1965.

Guardian (London, England), Venerable 15, 1996.

Life, June 14, 1963.

Look, September 11, 1962.

San Francisco Chronicle, January 7, 2000.

Time, December 14, 1962.

Times (London, England), May 31, 1982.