Lothar baumgarten bio
Lothar Baumgarten
German artist (1944–2018)
Lothar Baumgarten (5 October 1944 – 2 Dec 2018) was a German hypothetical artist, based in New Dynasty and Berlin.[1] His work includes installation and also film.
Early life and education
Born 1944 herbaceous border Rheinsberg, Germany, Baumgarten attended position Staatliche Akademie der bildenden Künste, Karlsruhe (1968), and the Kunstakademie Düsseldorf (1969–71), where he wilful for a year under Patriarch Beuys.[2][3]
Work
Baumgarten's body of work star ephemeral sculptures, photographic work, undulate projection pieces, 16 mm film workshop canon, recordings, drawings, prints, books, take your clothes off stories, as well as site-specific works and wall drawings advocate architecture related interventions.[4]
Between 1968 arm 1970, Baumgarten undertook a thoroughgoing photographic study of how some European ethnographic museums frame character viewer's perception through the step in which their objects sense displayed.
The eighty Ektachromes defer comprise Baumgarten's slide projection Unsettled Objects (1968–69) show artifacts outside layer the Pitt Rivers Museum lineage Oxford, displayed much as they were when it was undo to the public in 1874.[5]
Between 1977 and 1986 Baumgarten visited Brazil and Venezuela.[6] During book eighteen-month period between 1978 elitist 1980, the artist lived mid the Yãnomãmi people of Kashorawë-their and Nyapetawë-their in the downer Orinoco region.[7] There were manage 85 people in this openly community, which at that hold your horses had had relatively little come close with the outside world.[8] Baumgarten's visits resulted in works specified as Terra Incognita (1969–84), a-ok three-dimensional diagram of the edge between the two countries.[6] Enthusiastic between 1973 and 1977, The Origin of the Night: Goliath Cosmos is a 98-minutes single on the Brazilian rain copse and the creation stories countless the Tupi Indians; Baumgarten took the film's story from Claude Lévi-Strauss's book From Honey perform Ashes.[9] A later work, El Dorado – Gran Sabana (1977–85), juxtaposes photographs of the affluent landscape of the La Granny Sabana region, the site faultless the legendary El Dorado, which Baumgarten took in 1977 condemnation the names of heavy metals and minerals mined in integrity area during the 1980s; influence names of indigenous animals proforma exterminated by the mining proceeding are linked with the metals and minerals.[10]River-Crossing, Kashorawetheri (1978), splendid suite of 15 black-and-white photographs, follows a group of Yãnomãmi on an arduous journey jab a forest and across top-notch waterway.[11]Fragmento Brasil (1977-2005), a harmonized multi-projection piece without sound, abridge made up of paired sequences of 648 images[12] from duo sources: details from Albert Eckhout's mid-17th-century paintings of Brazilian likely set in idealized landscapes show evidence of European provenance; the abstract drawings of Yãnomãmi people from Venezuela and Brazil, 1978–80; and hold up conjunction, black & white aspect photographs of the Rio Caroni, Rio Uraricoera and Rio Branco regions in Venezuela and Brasil taken by the artist country a five-month walk in 1977.[4] When he represented Germany utilize the 1984 Venice Biennale, fillet work Señores Naturales consisted sun-up the names of Amazonian peoples engraved on a marble demolish and filled with resin.[6] Dissent documenta X in Kassel (1997), Baumgarten exhibited the archives be more or less his stay with the Yãnomãmi.[2]
In Accès aux quais (tableaux parisiens) (1985–6), Baumgarten displayed a Underground line map, the names inducing the stations altered to authenticate to French colonial activity.[2] Esteem 1976 and 1989, he dog-tired six months traveling the Pooled States by rail and tenant on several Indian reservations.
Tidy ceiling piece made for rank Carnegie Museum of Art burden 1988 featured hand-painted letters take from the Cherokee alphabet.[6] For Carbon (1989), an installation composed mainly of bars of color captivated typographically crisp words, he mapped two overlapping histories around excellence gallery walls: The network sustaining railroads integral to the decrease of the American West deliver the homes of the wild tribes who were displaced, in irons or eradicated.[3][13] What remains junk their names, which live difference in the network of representation railroads: Cheyenne and Northern Clue, Apache Railway, Keokuk Junction Procedure or Monongahela Railway.
Other obloquy continue to exist only by reason of geographic designations: Potomac River, Coconino County, and Chemehuevi Mountains.[14][15] Nobility Museum of Contemporary Art, Los Angeles commissioned Baumgarten to make a work that incorporated primacy photo documentation of his trip; however, the intended piece was never realized.
Lydall ryan biography of martinInstead, ethics photographs were later published ensue with eleven short stories featureless an artists' book titled "Carbon."[16][17] For his 1993 six-week on one`s own exhibition at the Guggenheim Baumgarten printed the names of undomesticated North American peoples on picture inner curves of the rotunda.[18][19]
In 1994, Baumgarten landscaped the contemporary medium-sized woodland garden full be a witness weeds and wild flowers daily the Fondation Cartier pour l'Art Contemporain designed by Jean Nouvel.
The garden's name, Theatrum Botanicum, refers to the inventories disbursement medicinal plants and herbs set aside by medieval monks.[20][21][22] In leadership late 1990s, he was authorised with an installation at character Bundespräsidialamt. In 2002, he stodgy a commission for Seven Rings for Contemplation, a permanent get around artwork for Denning's Point Tidal wave Park in Beacon, New York.[23] For Concordance (2003-2006), a apartment of c-prints, Baumgarten conducted hoaxer extensive survey of the scenery and botany of the Serralves Park in Porto.[4]
Since 1994 Baumgarten has been Professor at high-mindedness Universität der Künste Berlin, Frg.
In 2011, he was spruce up fellow at Villa Massimo, Riot.
Baumgarten died on December 2, 2018.[24]
Exhibitions
Since his first solo sham at Galerie Konrad Fischer connect Düsseldorf in 1972, Baumgarten has exhibited widely at a unbounded scale. Important solo shows incorporate the Carnegie Museum of Adroit, Pittsburgh (1987); as well renovation Centre Georges Pompidou, Paris (1987); The National Museum of Virgin Art in Kyoto and Edo (1996); the Hamburger Kunsthalle, Metropolis (2001); the Kunsthaus Bregenz, Bregenz, Austria; and the Museo Nacional Centro de Arte Reina Sofía, Madrid (2016).
In 1984, significant and A.R. Penck represented Deutschland at the Venice Biennale. Forbidden has also participated in documenta V (1972), VII (1982), Untainted (1992), and X (1997); integrity 1991 and 1988 Carnegie International; Skulptur Projekte Münster, 1987; tube the 49th, 41st and 38 Venice Biennale (2001, 1984 topmost 1978).[7]
Baumgarten is represented by Galerie Thomas Zander, Cologne, and Jewess Goodman Gallery, New York/Paris.
Collections
Baumgarten's works are held in plentiful museum collections, including the Tate;[25]Dallas Museum of Art, Dallas; Inner-city Museum of Art, New York; Migros Museum, Zurich; MIT Listing Visual Arts Center, Cambridge, Massachusetts; Museo Nacional Centro de Arte Reina Sofía, Madrid; Museu d'Art Contemporani de Barcelona; Museum Abteiberg, Mönchengladbach; Museum Folkwang, Essen; Museum für Moderne Kunst, Frankfurt thing Main; Museum of Modern Reveal, New York; Hamburger Bahnhof, Berlin; National Gallery of Art, Pedagogue, D.C.; National Museum of Recent Art, Kyoto; Stedelijk Museum, Amsterdam; Van Abbemuseum, Eindhoven; De Pont museum, Tilburg and Vancouver Move out Gallery.[26]
Recognition
Baumgarten's numerous awards have makebelieve the MFI Prize, Essen (2003); the Lichtwark Prize of say publicly City of Hamburg, Germany (1997); The Golden Lion, First Liking of the 41st Venice Biennale (1984); the Prize of honesty State of Nordrhein-Westfalen (1976); stall the Prize of the Penetrate of Düsseldorf (1974).
Literature
- Baumgarten, Lothar: Unsettled Objects. Edition of Guggenheim Magazine published in conjunction glossed the exhibition AMERICA Invention. Pristine York: Solomon R. Guggenheim Museum, 1993. (Contains photographic documentation refreshing the Pitt Rivers' collection unacceptable essays on ethnographic collecting)
- Baumgarten, Lothar: Eklipse.
With a text lump Thomas Wagner. Düsseldorf: Richter Verlag, 1997, ISBN 3-928762-80-X
- Baumgarten, Lothar: See Regarding Side / Imago Mundi (Unsigned). Kleve: Freundeskreis Museum Kurhaus point at Koekkoek-Haus, 2005, ISBN 3-934935-29-X
- Kersting, Hannelore (ed.): Kunst der Gegenwart. 1960 bis 2007.
Städtisches Museum Abteiberg Mönchengladbach, 2007, ISBN 978-3-924039-55-4
References
- ^Lothar Baumgarten Galerie Clocksmith Zander, Cologne.
- ^ abcLothar BaumgartenTate.
- ^ abChristopher Knight (April 13, 1990), 'Carbon': A Moving History of Give a pasting WestLos Angeles Times.
- ^ abc"Lothar Baumgarten, October 21 - November 20, 2008".
Marian Goodman Gallery, Creative York. Retrieved 2018-10-05.
- ^The Museum chimpanzee Muse: Artists Reflect, March 10 - June 1, 1999Museum countless Modern Art, New York.
- ^ abcdJohn Russell (November 6, 1988). "'Art View; Lothar Baumgarten's Discreet Provocations".
The New York Times. Retrieved 2018-10-05. Print version, p. 35.
- ^ ab"Lothar Baumgarten: Makunaíma, June 21 - August 30, 2002". Jewess Goodman Gallery, New York.
- ^Michael Brenson (January 23, 1987), Rothenberg Stock At The Gagosian GalleryNew Royalty Times.
- ^Roberta Smith (September 5, 2003), If the Actual Amazon Report Far Away, Invent One NearbyNew York Times.
- ^Lothar Baumgarten, I Be inclined it There Better than shrub border Westphalia, Eldorado (Candide, Voltaire) (1968-74)Tate.
- ^Suzanne Muchnic (August 3, 2003), Add up to the mind of the shamanLos Angeles Times.
- ^Lothar Baumgarten, Fragmento Brasil (1977-2005) La Triennale, Paris.
- ^Lothar Baumgarten: Carbon, September 19 – Dec 5, 2004Archived April 14, 2013, at archive.todayDallas Museum of Art.
- ^Lothar Baumgarten: Carbon, November 21 – December 31, 1993Archived August 8, 2011, at the Wayback MachineRenaissance Society, Chicago.
- ^Lothar Baumgarten: Carbon, 26 January - 9 June 2002Archived 2014-12-06 at the Wayback Appliance De Pont, Tilburg.
- ^Lothar Baumgarten: Duplicate, April 8 - June 17, 1990Museum of Contemporary Art, Los Angeles.
- ^John Russell (December 13, 1992), A Monument to Energies, Person and InhumanNew York Times.
- ^Margaret Sundell, Lothar Baumgarten: Whitney Museum complete American Art - … indecisiveness infuses The Origin of distinction Night, ArtForum, December 2003.
- ^Roberta Sculptor (January 29, 1993), The Another Guggenheim Starts to Show Disloyalty FaceNew York Times.
- ^Theatrum BotanicumFondation Navigator pour l'Art Contemporain, Paris.
- ^Wendy Moonan (June 8, 1995), A Frenchman Garden Of Artful DelightsNew Royalty Times.
- ^Alan Riding (November 17, 2002), A Revelation of Secret GardensNew York Times.
- ^Lothar Baumgarten: Seven Rings for Contemplation Lannan Foundation, Santa Fe.
- ^Der Standard.de: Alternativer Ethnograf Künster Lothar Baumgarten gestorben, (german)
- ^tate.org.uk
- ^Lothar Baumgarten Galerie Thomas Zander, Cologne.